It underlines the band were about more than The Shred.BEST GRAPHIC, BEST DESIGN Direct download link zippyshare, mediafire, letitbit, rapidgator, uploaded. This is a lot more orchestral than most of Pantera's work, and the way Rex Brown complements the guitar on bass adds to the impact. It’s an idea he’d had for several years, before finally getting the chance to bring it into form. One of Dimebag’s most popular solos turns this into a monster. It makes you appreciate why Tony Iommi holds Dimebag in such esteem. Of course, they are respectful to what Sabbath had done, but take it as a blueprint rather than an imprint. Pantera, though, do exactly that here, and successfully transcend the legend of the original. Planet Caravanĭaring to take on a Black Sabbath classic is brave yet foolhardy. The riff actually has the stench of a hangover cure, and smells of tobacco, weed and booze – the essence of a classic riff. And it inspires the rest of the band to take it forward. He cut into a spontaneous riff during a soundcheck, suffering from a huge hangover. I'm BrokenĪn example of how things could work in Dime World. There’s almost a funky groove to that takes the piss out of the whole incident. It’s lyrically no holds barred, but what the guitar does is back up the emotions expressed by the vocals, yet also offers another avenue of thought. This is based on a threatened confrontation between Anselmo and a fan’s dad. It careers headlong, bursting into a pummelling polemic, but as with everything he did, it’s less about guitar heroics, more about shading in the song. Dimebag’s guitar shots generates an almost staccato agitation. Fucking HostileĪnother song that looks deeper at the causes of attitude, and says society is too rigid, creating pathological turbulence. This is one of the those Pantera high spots when you appreciate how Dimebag and Anselmo worked as a team. It’s a riffing headbutt that opens up a gaping wound, allowing Anselmo to charge through the viscera. Not only perhaps Pantera’s most recognisable intro, but one that stands among the most identifiable of any metal beginning. Few others could have convincingly delivered such opposing textures. While on the surface, it’s snarling, gnashing and biting, if you listen carefully, there’s an underlying sense of vulnerability. The positive side of hate, on a song that understands anger needs a channel to come to rightful fruition.
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